Canarian multidisciplinary artist based between Dublin, València, and the Canary Islands, seeking the connection between the visual, the plastic, and the performative from both the tangible and the digital.

Working across photography and video, through self-publishing and automatic writing, all the way to assamblage and performance, with a strong aesthetic rooted in datamosh and the precarious.

dat-a/mosh

photography

performance

video-art

self-publishing

assamblage

design

Based between Dublin, València, and the Canary Islands, my practice moves fluidly across photography, video, performance, installation, 3D modeling, and experimental design. I’m driven by the friction between bodies, technology, and image-making—often through an aesthetic of datamosh, glitch, and the precarious.

My work grows from both hands-on craft and digital experimentation: from automatic writing and self-publishing to performative actions and immersive installations. I’m interested in how identity, error, and transformation appear within visual culture, and how new digital materialities rewrite the way we inhabit the world.

Alongside my artistic practice, I bring experience in community management, social media strategy, creative production, and cultural mediation, as well as technical skills in Adobe software, Cinema 4D, mobile app design, and 3D workflows. I’ve exhibited and performed internationally—from Spain to Germany, China, and online—and have collaborated with institutions such as Bombas Gens, Medialab Matadero, and the Universitat Politècnica de València.

I’m open to collaborations, residencies, commissions, teaching opportunities, and any creative work where experimental visual languages, critical thinking, and cross-disciplinary practice can shine.

  • Master’s in Artistic Production and Investigation. Universitat Politècnica de València.

    Degree in Fine Arts. Universidad de La Laguna.

  • Community Management

    Web Analytics

    Digital Marketing and E-Commerce

    Adobe Illustrator Proficiency

    Typographic Composition Animation

    Composition in Graphic Design

    Mobile App Design in Adobe XD

    Modeling and Simulations in Cinema 4D

    Experimental Design Techniques

  • Secretariat, Social Media Management & Visual Artist. Asociación Anemoia. Since Jun. 2024.

    Art Performer.Honeymoon: Unclassified by Antoni Miralda. Bombas Gens, València. April 2023.

    3D Modeler and Editor. TFAnimation, Santa Cruz de Tenerife. March – May 2022.

    Visual Artist. CATH Festival, Tenerife. June 2021.

  • Painting Instructor for the Elderly. Somriures. Nov. 2025.

    Fundraiser / Member Recruiter. Fundación Pasqual Maragall. Mar. 2025 – Oct. 2025.

    Cashier / Stock Clerk. Hiperdino Supermarkets, Fuerteventura. Dec. 2023 – Feb. 2025.

    Maintenance Assistant. TOMGAR S.L., Fuerteventura. Sep. 2023 – Oct. 2023.

    Shop Assistant. Capri Aquarium, Fuerteventura. Jan. 2016 – Sep. 2018.

  • SOLO EXHIBITIONS:

    2023. Primera convocatoria de Jóvenes Artistas. WENOW, Madrid.

    2021. Corpspace. Escena19. Faculty of Fine Arts, La Laguna.

    COLLECTIVE EXHIBITIONS:

    2024. El Suceso. Colectivo Anemoia. Badalona, Barcelona.

    2024. re:00110010. Online group exhibition.

    2023. PAM!23. Universitat Politècnica de València, València.

    2022. you+me II, HumAnimal. Wuhan, China.

    2022. Project you+me#2, en Human Animal. Künstlerforum Bonn, Germany.

    2022. Poéticas de Peso. La Capilla Exhibition Hall, La Laguna.

    2022. Ecdisis. Faculty of Fine Arts Exhibition Hall, La Laguna.

    2022. CAIII. Faculty of Fine Arts Exhibition Hall, La Laguna.

    2021. Artistas visuales. CATH Festival, Tenerife, Canary Islands.

  • 2022. Ecdisis. Faculty of Fine Arts Exhibition Hall, La Laguna.

    2021. Hayya ‘Ala-L-Falah. Faculty of Fine Arts, La Laguna. Installation.

  • 2025. Deambulatorio (Espera (Profecía)). Medialab Matadero, Madrid.

    2023. Raima Collective Award: Faculty of Fine Arts, UPV. Arts Libris, Barcelona.

Last project

Asociación Anemoia

Asociación Anemoia is a collective of artists and researchers exploring prophecy, anticipation, and the moment before transformation. The project emerged during a residency at Fundación Épica Fura dels Baus (Barcelona), where we developed El Suceso, a video installation and soundscape centred on landscapes of change.

Within the collective, I’ve worked on the organisational and visual backbone: coordinating projects and communication, shaping our public image, and creating the graphic and audiovisual materials that support our exhibitions and events. I also handle digital presence, community strategy, and the production of cultural activities from concept to logistics.

Website:

Instagram:

As an artist and member of the Asociación Anemoia, I recently collaborated with the artistic collective XenoVisual Studies, editing a video for the piece Mesa Camilla. The work is scheduled to be screened on December 13, 2025, during the presentation of MEDIOS CALIENTES. Las imágenes en la era del calor by Hito Steyerl at the Malaletra bookstore, in an event organized by the publishing house Caja Negra.

[ES] En colaboración con @xenovisualstudies (XVS), lxs invitamos a pensar las imágenes no solamente como signos o representaciones, sino también como procesos materiales que consumen energía, generan calor y alteran el clima. ¿Qué significa producir imágenes en una época donde la máquina imagina por nosotrxs? ¿Qué coste energético y político tiene cada imagen que circula? ¿Podemos inventar una mirada que no queme, que no reproduzca la entropía del capital visual?

Durante la presentación, XVS extrenará un video basado en la pieza “Mesa Camilla” (y, por lo tanto, en MEDIOS CALIENTES), co-editado con el @colectivoanemoia.

[EN] In collaboration with @xenovisualstudies (XVS), we invite you to think of images not only as signs or representations, but also as material processes that consume energy, generate heat, and alter the climate. What does it mean to produce images in a time when the machine imagines for us? What are the energy and political costs of every image that circulates? Can we invent a gaze that doesn’t burn, that doesn’t reproduce the entropy of visual capital?

During the presentation, XVS will premiere a video based on the piece Mesa Camilla (and therefore on MEDIOS CALIENTES), co-edited with @colectivoanemoia.

- Post by Caja Negra on instagram.

Ensamblaje

La mesa camilla

You can see the performance POV clikcking here

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Currículum Vitae